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The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays ‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Gericault’s The Raft of the Medusa in his 1989 novel A History of the World in 10? Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Gericault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cezanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century.
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Drawing from two political and several literary homelands, this collection presents a remarkable series of trenchant essays, demonstrating the full range and force of Salman Rushdie's remarkable imaginative and observational powers. With candour, eloquence and indignation he carefully examines an expanse of topics; including the politics of India and Pakistan, censorship, the Labour Party, Palestinian identity, contemporary film and late-twentieth century race, religion and politics. Elsewhere he trains his eye on literature and fellow writers, from Julian Barnes on love to the politics of George Orwell's "Inside the Whale", providing fresh insight on Kipling, V.S. Naipaul, Graham Greene, John le Carre, Raymond Carver, Philip Roth and Thomas Pynchon among others. Profound, passionate and insightful, "Imaginary Homelands" is a masterful collection from one of the greatest writers working today.
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In these two masterpieces of post-modernism Julian Barnes explores themes of identity, authenticity and history. Flaubert's Parrot, shortlisted for the Booker Prize in 1984, concerns the attempts of an increasingly bemused reseracher to establish certain facts about a famous French novelist and the stuffed bird which used to sit on his desk. A History of the World in 10 ? Chapters blends fact and fiction in a virtuoso kaleidoscope of vignettes from Noah's time to the present. One of the author's most inventive works, it was praised by Salman Rushdie as 'frequently brilliant, funny, thoughtful, iconoclastic and a delight to read'. Julian Barnes won the 2011 Booker Prize for his novel The Sense of an Ending.
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When it comes to death, is there ever a best case scenario? In this disarmingly witty book, Julian Barnes confronts our unending obsession with the end. He reflects on what it means to miss God, whether death can be good for our careers and why we eventually turn into our parents. Barnes is the perfect guide to the weirdness of the only thing that binds us all. Selected from the book Nothing to be Frightened Of by Julian Barnes.
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When it comes to death, is there ever a best case scenario? In this disarmingly witty book, Julian Barnes confronts our unending obsession with the end. He reflects on what it means to miss God, whether death can be good for our careers and why we eventually turn into our parents. Barnes is the perfect guide to the weirdness of the only thing that binds us all. Selected from the book Nothing to be Frightened Of by Julian Barnes VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.
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When it comes to death, is there ever a best case scenario? In this disarmingly witty book, Julian Barnes confronts our unending obsession with the end. He reflects on what it means to miss God, whether death can be good for our careers and why we eventually turn into our parents. Barnes is the perfect guide to the weirdness of the only thing that binds us all. Selected from the book Nothing to be Frightened Of by Julian Barnes VINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.
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From the winner of the 2011 Man Booker Prize for Fiction comes an enthralling set of short stories. No one has a better perspective on life on both sides of the channel than Julian Barnes. In these exquisitely crafted stories spanning several centuries, he takes as his universal theme the British in France; from the last days of a reclusive English composer, the beef consuming 'navvies' labouring on the Paris-Rouen railway to a lonely woman mourning the death of her brother on the battlefields of the Somme.
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These interlocking essays uncover art as an active force in the world - neither elitist or remote, present to those who want it, affecting even those who don't. Winterson's own passionate vision of art is presented here, provocatively and personally, in pieces on Modernism, autobiography, style, painting, the future of fiction, in two essays on Virginia Woolf, and more intimately in pieces where she describes her relationship to her work and the books that she loves.
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Winner of the Man Booker Prize for Fiction in 2011. Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is in middle age. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove. The Sense of an Ending is the story of one man coming to terms with the mutable past. Laced with trademark precision, dexterity and insight, it is the work of one of the world's most distinguished writers.
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Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.
Модель:
Winner of the Man Booker Prize for Fiction in 2011 Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.
Модель: Республика
“The work of an artist is, in its largest sense, inseparable from history thought of in its largest sense.” That is how eminent British art historian Christopher Green described his methodological approach. Art, he argued, needs to be understood as happening in history, not in a vacuum. Of Modernism presents original research by ten contemporary scholars of modern art who studied with Green and follow his historical method. The essays on European art rethink some of the crucial artworks, problems, and practitioners of European high modernism, ranging from Les Demoiselles d’Avignon to Guernica, avant-gardism to internationalism, and Joan Miró to Ludwig Mies Van der Rohe. Questions about modernism drive the ten essays, explicitly or otherwise, and they come in as many different shapes. The canon presented in Of Modernism is open, situating Picasso—a recurrent focus of the collection—alongside artists far more obscure, and in the context of a visual culture that is strikingly eclectic and often ephemeral.
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Impressed into service aboard the seal-hunting Ghost, Humphrey Van Weyden becomes an unwilling participant in a tense shipboard drama. With a wary eye, he watches the vessel’s abusive captain, Wolf Larsen, an enigma who can abandon two sailors on the open water, then return to reading the moral philosophers. One of the best sea novels ever written. .
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Impressed into service aboard the seal-hunting Ghost, Humphrey Van Weyden becomes an unwilling participant in a tense shipboard drama. With a wary eye, he watches the vessel’s abusive captain, Wolf Larsen, an enigma who can abandon two sailors on the open water, then return to reading the moral philosophers. One of the best sea novels ever written. .
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It is hard to overstate Art Spiegelman's effect on postwar American culture. The Pulitzer Prize-winning author is one of our most influential contemporary artists, and his masterpiece Maus has shaped the fields of literature, history, and art. Collecting responses to the work that confirm its unique and terrain-shifting status, Maus Now is a new collection of essays that sees writers such as Philip Pullman, Robert Storr, Ruth Franklin, and others approaching the complexity of Maus from a wide range of viewpoints and traditions. Offering translations of important French, Hebrew, and German essays on Maus for the first time, this collection edited by American literary scholar Hillary Chute - an expert on comics and graphic narratives - assembles the world's best writing on this classic work of graphic testimony.
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From the winner of the 2011 Man Booker Prize for Fiction comes a magnificent portrait of youth and growing up. Christopher and Toni found in each other the perfect companion for that universal adolescent pastime: smirking at the world as you find it. In between training as flaneurs and the grind of school they cast a cynical eye over their various dislikes: parents with their lives of spotless emptiness, Third Division (North) football teams, God, commuters and girls, and the inhabitants of Metroland, the strip of suburban dormitory Christopher calls home. Longing for real life to begin, we follow Christopher to Paris in time for les evenements of 1968, only to miss it all in a haze of sex, French theatre and first love, leading him, to Toni's disappointment, back to Metroland.